The 45 Best and Most Anticipated Movies of 2024
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IN MANY WAYS, 2024 is shaping up to be one of the most interesting and unpredictable years in recent film history. After the last decade was largely dominated by franchises—the superheroes of Marvel and DC in particular—this year, things will shift; the MCU has only one film planned, and DC's only scheduled release is a movie that ostensibly stands alone (Sony's erratic Spider-Man Universe, however, will have more of a presence than ever). This should be seen as a good thing for fans of the superhero genre; Marvel Studios is slowing down its output with hopes of righting what has become an unprecedented franchise slump, while Warner Bros. is briefly bringing its interconnected DC films to a halt as it prepares for the James Gunn era to begin in earnest with 2025's Superman.
That left 2024 wide open. Thus far, we've had some great movies that have blown up the box office—Denis Villeneuve's Dune: Part Two—and others that have, unfortunately, disappointed financially (Furiosa). Others have been a delight along the way as well, like M. Night Shyamalan's Trap and Luca Guadagnino's Challengers. And that's ahead of plenty of exciting films still to come, including Ridley Scott's long-awaited Gladiator sequel. Those are the headliners, but there are numerous films already to be excited for, and even more will pop up over the course of the year.
As we see every year—including the stellar 2023 slate—the best movies don't always have to be big; sometimes they are, sure, but other times they can be small. Other times they can have the increasingly-rare "mid-sized budget," which is exactly where the star-studded (Austin Butler, Tom Hardy, Jodie Comer, Michael Shannon) The Bikeriders, one of the year's most underrated movies, sits.
One thing worth noting: the list as you find it below right now is likely to continue evolving throughout the year, as our list of "most anticipated" films becomes our list of "best" films. In the early going, we're eager to highlight just about anything that piques our interest; that can sometimes turn into a really good movie, and it can also become a really bad movie. Right now, our goal is simply to let you know the stuff with the most potential; the stuff we're most interested, excited, or even just curious about.
Without further ado, here are the movies we're most excited to see in 2024.
Self Reliance
Jake Johnson makes his directorial debut in Self Reliance, a sci-fi dystopian comedy where he also plays the lead role in. In this bizarre movie, a guy stuck in a boring life routine gets the opportunity to compete in a complicated game for rich people on the dark web that seems simple enough: stay alive, and win $1,000,000. Imagine David Fincher's The Game crossed with the "White Bear" episode of Black Mirror, with a little bit of Johnson's typical New Girl Nick Miller charm thrown in. It's a strange mix, but also a fun movie that's worth a watch.
Lisa Frankenstein
Lisa Frankenstein tells the story of a girl (Kathryn Newton) who worships a long-dead dude immortalized as a statue (Cole Sprouse)... only for him to be resurrected back to life unexpectedly. The movie—which also marks the directorial debut for Zelda Williams, daughter of Robin—didn't exactly set the box office on fire, but it was a fun, campy ride that horror comedy fans will probably love as a cult favorite. Think of it as a spiritual sequel to underrated 2000s horror comedy, Jennifer's Body (the two share a screenwriter in Diablo Cody).
Madame Web
This movie is truly beyond terrible. Not only does the plot make no sense and the dialogue sound like it was written by someone who's never heard human beings talk before, but there are so many moments where the speaking doesn't even match up with whoever's talking's mouth. That being said, the actors (for the most part) aren't doing anything wrong. This is all to say: the phrase "so bad it's good" gets thrown around quite a bit, and it's rare that it actually proves to be true. But... with Madame Web... it happens. This movie is such a disastrous, fun, blast. Is it good? No. Will I watch it many more times in my life? Oh yes.
Drive Away Dolls
If you're feeling withdrawal from the excellent Season 5 of Fargo, we've got just the movie for you. Drive Away Dolls is the solo directorial debut for Ethan Coen (who previously collaborated on countless classic films with his brother, Joel, including the original Fargo movie, The Big Lebowski, and No Country For Old Men), who also co-wrote the script with his wife, Tricia Cooke. And we've got some great news: Drive Away Dolls has a fantastic old school Coen Brothers vibe—think Raising Arizona meets Burn After Reading.
The film follows a pair of women (played by the wonderful Margaret Qualley, putting on a Daniel Craig-in-Knives Out-esque accent, and the always-charming Geraldine Viswanathan) who head out on a soul-searching road trip only to find themselves crossing paths with a series of criminals (played by Colman Domingo, Matt Damon, and others) that only a Coen could think up.
Dune: Part Two
Let's put it simply: Dune: Part Two is a masterpiece. Fans of the first Dune film from director Denis Villeneuve may have thought it couldn't get any better; they were wrong. Part Two raises the stakes in every way as the story of Paul Atreides (Timothée Chalamet) reaches its conclusion in dramatic, visually-arresting fashion. Newcomers to the cast include a fantastic Austin Butler, Florence Pugh, and Christopher Walken, while Zendaya and Javier Bardem also see expanded roles from the first film. Chalamet, Josh Brolin, and Rebecca Ferguson are predictably fantastic as well in their ongoing roles in the series. There's talk of a Dune: Messiah to come, but Dune: Part Two is so good that if this is all we end up getting for this story... that would be OK too.
Love Lies Bleeding
An old fashioned neo-noir crime thriller, Love Lies Bleeding is one of 2024's best movies without question. When a drifting bodybuilder (Katy O'Brian) rolls into town, a local gym owner's (Kristen Stewart) life changes when she's swept into an unexpected romance. But issues with her crime lord father (Ed Harris) and horrible brother-in-law (Dave Franco) make things... well, a little bit difficult to maintain. Love Lies Bleeding is a fun story you won't regret watching, but also shows off the major filmmaking talent of director Rose Glass(who previously helmed the underrated A24 horror movie Saint Maud).
Immaculate
The general media "vibe" of Sydney Sweeney is pretty in line with her role in last year's romantic comedy Anyone But You; bubbly, fun, funny. But people may not realize that she has a bit of a rough, daring, gritty streak, and is putting it on display with Immaculate, an uber-violent horror movie that she leads and also produced. This is far from the best or most original horror movie you've ever seen, but it's a slow burn with a third act that really pays off. If you're a horror fan looking to feel something, this will do the trick.
Monkey Man
You may still remember Dev Patel best for his leading role in Danny Boyle's Slumdog Millionaire (or Skins, if you're a real Dev O.G.). But with Monkey Man—which marks Patel's feature directorial debut and counts Jordan Peele as an executive producer—shows the full range of 2024 Dev Patel's talent. And let's make one thing clear: this is his first go at it, but the man was made to be an action star. Monkey Man has some minor issues with pacing, but Patel's performance and visual eye behind the camera—along with some of the most badass action sequences you'll see all year—make this an extremely fun film. We can't wait to see what Patel does next.
Civil War
Writer/director Alex Garland (Ex Machina) makes an unbelievable comeback with Civil War, coming after 2022's not-horrible-but-pretty-weird-and-not-beloved Men. Civil War is the closest thing A24 has ever made to a blockbuster movie, and it really feels that way—if you're anything like me, you'll be gripping your hands in fists the entire movie. It's that tense.
Imagining a near future where the United States is at war with itself (including a faction where Texas and California have allied), Civil War isn't quite what you'd expect. Rather than focusing on the war itself, the film follows a pair of war photographers (Kirsten Dunst and Cailee Spaeny) and a journalist (Wagner Moura) who just want to document the craziness occurring around the country—and get the biggest stories they can. The story is pretty basic, but the filmmaking, visuals, and tension are a real return to form for Garland. And it's hard to say enough about how fantastic Dunst and Spaeny in particular are in the film. Perhaps a bold statement, but Civil War was perhaps the most gripping thrill ride of a film I've watched since Top Gun: Maverick.
Abigail
While Spyglass sent the Scream franchise into disarray by firing lead actress Melissa Barrera from its forthcoming seventh entry (and fellow lead Jenna Ortega departed the franchise not long after), the directors of Scream and Scream VI re-teamed with Barrera for Abigail a home-invasion thriller that gets a horror twang when the daughter of the VIP being robbed turns out to be a bloodthirsty vampire. Abigail is one of the most fun horror comedies of the last few years, as Barrera is joined by a delightful cast that includes the always-fantastic Dan Stevens, Kathryn Newton (a scream queen in her own right having an absolute blast), and the late Angus Cloud. The movie is the perfect mix of spooky, funny, and campy, and if you like blood and gore... well, you're in for quite a lot of it.
Challengers
Challengers is a tennis/love triangle/throuple film that stars Zendaya, Mike Faist, and Josh O'Connor, and, folks, it is awesome. It delivers exactly what it promised: a great story, incredible music from Trent Reznor and Atticus Ross, and some truly fantastic performances from those three lead performers. Oh, and can we add that it's steamy? Because it is.
I Saw The TV Glow (May 3)
Director Jane Schoenbrun's follow-up to We're All Going To The World's Fair stars Justice Smith in what is essentially an existential horror film that touches on identity and deep connections to both television and new childhood friends. Anyone who's come of age and gotten obsessed with a TV show along the way (for me, it was LOST) will feel right at home here—if you can handle some very unsettling imagery. The movie features an unbelievable soundtrack (including a score by indie darling Alex G), and it's an absolutely unique cinema experience in 2024.
Furiosa (May 24)
Every time I would ever get to the end of a Mad Max: Fury Road rewatch, I almost instantly wanted to return to for more. Now, 9 years after one of the most miraculous action/post-apocalyptic films of all time hit theaters, we finally got the chance to return.
Furiosa trades the nonstop action of Fury Road for a slower, more focused film, focusing on the rise of its titular character (but, of course, with some absolutely unbelievable action along the way). Director George Miller gets some incredible performances out of Anya Taylor-Joy (who plays Furiosa) and Chris Hemsworth (who plays Dementus, the movie's villain). The movie underwhelmed at the box office, but we think it will gain quite a few fans in the years to come—it's another masterpiece.
Hit Man
Confession: I saw Richard Linklater's Hit-Man, which the Dazed and Confused director co-wrote with star Glen Powell, at NYFF 2023. And it ruled! The movie is about a quiet professor who's a relatively normal guy (Powell) except for the fact that he helps law enforcement entrap people looking to have others killed by pretending to be a hitman. The movie is a Fargo-esque zany time (unbelievably based on a true story!) and is once again one of our favorites of the year.
The Bikeriders
The Bikeriders is hardly doing anything new—think of it like Goodfellas meets Easy Rider, based on Danny Lyon's photojournalism book of the same name—but man is it good at it. The movie gives Austin Butler his greatest movie star showcase yet, fully enveloping the cool vibes that the movie itself somewhat mocks others (Tom Hardy's character in partiuclar) for striving toward. Butler and Hardy are joined by Jodie Comer, who herself gives a fantastic performance as the viewer surrogate suddenly thrust into this Chicago world of motorcycling. Michael Shannon, Boyd Holbrook, and Norman Reedus are among the many others in the impressive cast that help bring this exciting story from director Jeff Nichols to life. You won't regret watching this one.
Kinds of Kindness
Yorgos Lanthimos is also acting fast. After a five year gap between The Favourite and Poor Things, the director returned less than six months after the release of his Oscar-winning film with Kinds of Kindness, an existential horror anthology film that once again teamed him with Emma Stone. And it's weird and wild! This movie tells three different stories of control in the modern world, each with some kind of eccentric, sinister, and rather abstract twist. Stone is joined by a fantastic cast of players that includes Jesse Plemons, Willem Dafoe, Margaret Qualley, Hunter Schafer, Mamoudou Athie, and Hong Chau, among others. Emma Stone has one of the greatest dance scenes in the last few years (up there with her own greatest dance scenes in other movies, including Poor Things) in this movie.
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A Quiet Place: Day One
Going to be honest: before this movie, this was not my favorite horror franchise. I thought A Quiet Place was just OK (not worth all the hype it got upon release), and didn't even bother with the sequel. But the prequel has a stacked cast, and marked writer/director Michael Sarnoski's follow up to his remarkable film Pig, so I was intrigued at the very least.
And I am pleasantly surprised to share that the movie was actually really, really good. Lupita Nyong'o gives the lead performance that we should've been getting far more of from her since her Oscar-winning turn in 12 Years a Slave (not quite at Us level, but not far off), and Joseph Quinn proves that he's still got it after his breakout in Stranger Things (and ahead of his roles in Gladiator II and The Fantastic Four: First Steps). Most importantly, though, you can tell it's from the writer/director of Pig; yes, there's an alien invasion, and plenty of action, but it's also got deep characters who you grow to care about, and plenty of melancholy along the way. And as a bonus, this is simply one of the greatest cat moves you'll ever see. Have to love that.
Horizon: An American Saga — Part One
If you want to see the film that directly led Kevin Costner to his Yellowstone departure (and, presumably, the forthcoming end of the franchise's flagship series), look no further than Horizon: An American Saga — Part One. Costner put his heart, soul, and entire effort into co-writing, producing, directing, and starring in this new western epic, which is planned to eventually be four parts (the second was originally planned for an August release, but has since been removed from the Warner Bros. schedule; justice for Horizon!).
This movie is long, yes. But it's a really fun Western that sets a lot of stuff up, with characters that you'll probably grow to care about, and visuals to die for. Costner also shares one of the year's very best scenes, a tense two-handed moment shared with Jamie Cambell Bower, that will leave you breathless. Whenever the rest of the Horizon movies come out, we'll be waiting.
MaXXXine
The Ti West/Mia Goth horror trilogy comes to a close with the release of MaXXXine. After a Texas Chain Saw Massacre-esque first film (X) and a "demented Disney movie" prequel (Pearl), the events of MaXXXine move to the '80s, following Goth again in the titular role—this time, she's chasing fame while a serial killer is chasing her. Goth is joined by a very stacked cast, including Elizabeth Debicki as an acclaimed horror director, Kevin Bacon as a crooked private detective, and Bobby Cannavale and Michelle Monaghan as a pair of hilarious L.A. cops. Is MaXXXine as good as X or Pearl? Well that's up for fans of the trilogy to decide for themselves. But it's absolutely a blast.
Longlegs
After releasing bizarre teaser after bizarre teaser after bizarre teaser in the early parts of 2024, Longlegs went on to become one of the biggest box office successes of the year—and one of the best movies overall, too. Maika Monroe plays Lee Harker, an FBI agent hunting down an eccentric serial killer who goes by Longlegs (Nicolas Cage); if that sounds kind of like Silence of the Lambs, well, it's by design. But don't worry—writer/director Oz Perkins had plenty of tricks up his sleeve, and this movie takes quite a few twists and turns that you probably will not see coming. It's very unsettling, and very well done.
Twisters
And the winner for 'most fun movie of 2024 so far' goes to... Twisters! With skillfull direction from Lee Isaac Chung (Minari), a star-making lead performance by Glen Powell (who is making plenty of new fans along the way), and an overall stellar cast (also including Daisy Edgar-Jones, Brandon Perea, Sasha Lane, Anthony Ramos, Katy O'Brian, David Corenswet, and more), this is one big screen spectacle hit that you will want to make sure you catch. Just like the original Twister, this movie brings scale and action but backs it up with a super charming, super deep cast. Powell's movie star prowess has been well documented at this point, but Perea and the rest of the supporting cast are also particularly good here.
Deadpool & Wolverine
The MCU's only 2024 film was predicted by just about everyone to be a hit, and, well, of course it was! Deadpool & Wolverine is basically what everyone predicted it to be: a Deadpool movie. It's vulgar, violent, and a lot of fun; anyone into these movies will be pleased. These have become Ryan Reynolds's and Hugh Jackman's signature roles for a reason, and that is very evident here. The movie hardly has the most robust storyline, but that's OK; it's enough fun to make up for it. Plus, there are plenty of surprise appearances to keep the biggest Marvel fans excited, laughing, and happy.
Trap
The newest M. Night Shyamalan film does what he does best: give us a totally original, totally exciting new thriller. This time, we get a serial killer known as The Butcher (a spectacular and revitalized Josh Hartnett) who's attending the concert of a Taylor Swift-esque pop star named Lady Raven (played by Shayamalan's daughter, Saleka), only to realize that the entire concert is a sting operation set up to orchestrate his capture. If you're in on this premise—and know what you're getting into with the wild nature of Shyamalan's films—you're going to have a great time. Trap is a hell of a ride; one thing we'll guarantee is that you won't be bored for a second.
Cuckoo (August 9)
A stay at a motel with an eccentric manager (Dan Stevens) leads a young woman (Hunter Schafer) down a descent of chaos and madness. Cuckoo has been on our horror radar for a while, and it looks like it will definitely follow through appropriately.
Alien: Romulus (August 16)
For the first time since 2017, there will be a new entry in the big-screen Alien franchise. Alien: Romulus, which will be directed by Evil Dead (2013)'s Fede Alvarez, is set between the events of Alien and Aliens, and should have all the chest-burster and Xenomorph creepiness that we love and wait for. Ridley Scott supposedly loves the movie, and the cast is led by Priscilla and Civil War's Cailee Spaeny.
Blink Twice (August 23)
Channing Tatum leads his fiance Zoe Kravitz's directorial debut Blink Twice (formerly called Pussy Island!) as a mysterious billionaire who invites several of his friends and several unknowing women on a mystery vacation at one of his properties. It looks like a wild mystery/thriller/dark comedy ride, and one that we're quite excited to check in for.
Beetlejuice Beetlejuice (September 6)
26 years after Beetlejuice was released in theaters, Tim Burton is finally returning for a sequel that could be dark, hilarious, and great if done right. Michael Keaton is returning as the titular ghoul, while Winona Ryder and Catherine O'Hara will also be reprising their roles from the original. Joining the cast this time around are Jenna Ortega, continuing to be a new-age horror icon, and Willem Dafoe, who has somehow never worked with Burton before. How is that possible? Either way—this one is exciting.
Speak No Evil (September 13)
We're including Speak No Evil on the list because it's got a great cast (including Mackenzie Davis, Scoot McNairy, and a James McAvoy who looks like he's really cooking) and is based on a pretty interesting/subversive 2022 horror film of the same name. But that's also what has us a little concerned—why did we need to remake a horror movie that was only two years old, and was already primarily in English? And for the love of god, if you're interested in this story, do not watch the trailer—unless if there are some serious changes being made from the original film, it 100% spoils several major late film reveals.
Wolfs (September 20)
Speaking of exciting, Wolfs reunites the A-list Ocean's trilogy team of George Clooney and Brad Pitt as a pair of professional fixers who find themselves assigned to the same tricky job. We don't know a ton about it beyond that, but the movie will be written and directed by MCU Spider-Man director Jon Watts.
Megalopolis (September 27)
After gestating for two decades, Francis Ford Coppola's sci-fi passion piece Megalopolis—which he entirely self-funded—is finally set for release in fall 2024. The film got extremely polarizing reviews when it released at Cannes 2024, but any movie fan should be willing to watch a passion project from the director of The Godfather, The Conversation, and Apocalypse Now just because. The cast includes Adam Driver, Nathalie Emmanuel, Aubrey Plaza, Jason Schwartzman, Giancarlo Esposito, and more.
Joker: Folie à Deux (October 4)
Say what you want about 2019's Joker, but the sequel, which will once again star Joaquin Phoenix as Joker/Arthur Fleck and feature Lady Gaga as Harley Quinn, sounds like it's going to ratchet things up to a new level, mainly due to the fact that it's a musical. Whatever happens with this one, we'll be monitoring.
We Live In Time (October 11)
Let's be real: we'd watch anything led by Andrew Garfield and Florence Pugh. But this movie looks like a heartbreaking romance that will make us fall in love with its lead characters and then tear our hearts into a million pieces afterwards. If you're into that kind of thing!
Venom: The Last Dance (October 25)
Venom! Tom Hardy is back for one last tango with the famed Marvel alien symbiote, and this movie will probably be just as campy, absurd, and, yes, fun, as the other two efforts. The trailer showed us a Venom-ized horse. Can you imagine what they're saving for the movie if they already showed us that?
Here (November 1)
Robert Zemeckis has some legendary films under his belt, including Forrest Gump, Flight, and all three Back to the Futures. But he's also behind some extremely bizarre, uncanny valley recent efforts, like Welcome to Marwen. Here takes place entirely in one room over the course of several hundred years, and with its use of de-aging technology on stars Tom Hanks and Robin Wright (a Forrest Gump reunion), unfortunately looks like it's definitely got some uncanny valley stuff going on. But the trailer for this movie looks good! We'll admit it. And in particular I have a good feeling about Paul Bettany's supporting role. We'll just have to see—this one feels like a crapshoot.
Conclave (November 8)
Conclave, based on Robert Harris's 2016 novel of the same name, is a psychological thriller about selecting a new pope, from All Quiet on the Western Front director Edward Berger. And it stars Ralph Fiennes, Stanley Tucci, John Lithgow, and more. Does that not sound incredible? We'll absolutely be watching.
Heretic (November 15)
A24's fall horror release is Heretic, which is about a pair of young women (Yellowjackets's Sophie Thatcher and The Fabelmans star Chloe East) who want to spread their religion until they encounter a mysterious and deceptive man, played by Hugh Grant. Just from the trailer alone, this looks like yet another opportunity for Grant to shine; he's been fantastic in the last decade or so, and we can't wait to see him in full villain mode here.
Gladiator II (November 22)
As Ridley Scott has gotten deeper and deeper into his octogenarian years—he's now 86—he's just gotten busier and busier, putting out Napoleon, The Last Duel, and House of Gucci in the last couple years alone. In 2024, he returns to the world of one of his greatest films ever, 2000's Gladiator. The 24-years-in-the-making sequel follows Paul Mescal (Aftersun, All of Us Strangers) as the grown-up version of Lucius, while the case also features Denzel Washington, Pedro Pascal, Joseph Quinn, Fred Hechinger, and Connie Nielsen. All there is to say after that is "hell yeah."
Nightbitch (December 6)
Can we give Amy Adams the Oscar already? She's been trying long enough. She should've gotten one for Arrival, if we're being real, but that's beside the point. Anyway, her latest effort is Nightbitch, a film based on the book of the same name about a woman who becomes convinced she's turning into a dog. Kind of a weird premise to position as an Oscar play? Feels more like a horror/thriller to me, but let's see how it plays out.
Nosferatu (December 25)
Along with Jordan Peele and Ari Aster, director Robert Eggers has become one of the premiere names in modern horror and genre films. After making The Witch, The Lighthouse, and The Northman, Eggers is now hard at work on his version of the famed vampire story Nosferatu. The cast will include Lily-Rose Depp, Nicholas Hoult, Bill Skarsgård, Willem Dafoe, and Aaron Taylor-Johnson.
A Complete Unknown (December 25)
Timothée Chalamet plays Bob Dylan in James Mangold's A Complete Unknown, a musical bioppic that also features Edward Norton, Elle Fanning, Boyd Holbrook, and Top Gun: Maverick's Monica Barbaro among others in the cast. Musical biopics can be a little rough, but we're going to be optimistic about this one; the cast is full of people we love, and Mangold is always a solid director.
Havoc (2024 TBA)
Will this movie ever come out? Havoc, an action movie starring Tom Hardy and Timothy Olyphant and directed by Gareth Evans of The Raid fame, has made this list for three years running. And that's not changing in 2024! As soon as a movie with those stars and that director drops, we'll be watching.
The Toxic Avenger (2024 TBA)
The campy and ultra-violent Toxic Avenger franchise is rebooted by directed Macon Blair (who appeared last year in Oppenheimer) with Peter Dinklage in the title role, joined by a cast that includes Jcaob Tremblay, Kevin Bacon, Taylour Paige, Jane Levy, and Elijah Wood. Expect a revenge thriller filled with lots of action, lots of blood, and lots of dark laughs. This movie is also still looking for distribution, and we're patiently waiting for when that happens. Because we really want to see it!
Blitz (2024 TBA)
Steve McQueen's last big screen film, 2018's epic heist Widows, was wildly under appreciated—it deserved several Oscar nominations and was ignored. His next film, Blitz, is set following a group of people in London during a WWII bombing; the cast includes Saoirse Ronan, Harris Dickinson, and Stephen Graham. His films (Hunger, Shame, 12 Years a Slave) are routinely excellent, and the hope is that this won't be any different.
Queer (2024 TBA)
Queer will be director Luca Guadagnino's second film of 2024 (after Challengers), and pairs him up with lead Daniel Craig. The movie, based on the novel of the same name by William S. Burroughs, is a crime romance drama about a man who flees a New Orleans drug bust to Mexico City, where he becomes infatuated with a younger man. It's exciting to see Craig consistently working with great directors (Rian Johnson and now Guadagnino) in his post-James Bond era.
The Nickel Boys (2024 TBA)
Based on Pulitzer-winning author Colson Whitehead's book of the same name, The Nickel Boys follows a young African-American boy who's sent to a school that was abusive toward students; while there, he strikes up a friendship with another boy and the two together try to navigate the horrors of the school. The movie is the first narrative feature film for RaMell Ross, whose 2018 documentary Hale County This Morning, This Evening was a striking—if abstract—piece of filmmaking (and was nominated for the Best Documentary Feature Oscar).
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