Universal’s jukebox musical launched with a solid $76.4 million globally, including $34 million in North America and $43.4 million overseas. If its predecessors’ lengthy theatrical run is any indication, the future of the “Mamma Mia!” sequel looks promising.
“Mamma Mia!” — the 2008 adaptation of the hit stage musical — launched slightly behind its follow-up with $27 million. That film, which opened a decade to the month before the follow-up, had long legs at the box office, playing throughout the summer before closing its run in November. Along the way, it generated a massive $465 million internationally and $609 million worldwide. Impressive for most films, but especially given its $52 million production budget.
It’s been a summer flooded with Spandexed heroes and gun-toting vigilantes. Sure, it’s a break from watching the bleak and dreary news cycle, one in which the Mueller investigation and whispers of kompromat dominate the cable chyrons, but “Sicario 2: Day of the Soldado,” “The Equalizer 2,” and “Avengers: Infinity War” aren’t exactly feel-good flicks. That’s where “Mamma Mia! 2” steps in. In true popcorn season form, it’s part of a pseudo-franchise, but unlike its fellow box office counterparts, the “Mamma Mia!” sequel is a bit bouncier.
“There was big pent up demand for a movie like this,” said Eric Handler, an analyst with MKM Partners.
Aside from “Ocean’s 8” and “Book Club,” few offerings in the past few months have targeted female audiences. Even less have been family-friendly, and of those, almost all were animated adventures. The audience for “Mamma Mia!” was majority female and skewed younger than the original.
“You can’t make everything for 13-year old-boys. Summer, for the most part, is that,” Jeff Bock, an analyst with Exhibitor Relations, said. “I don’t think that’s entirely true of the audiences tastes anymore.”
“Mamma Mia!” is the perfect antidote to traditional summer blockbusters — it’s low-stakes, it’s lighthearted, and it’s pure fun. Moviegoers are hungry for escapism that’s a little lighter. The perfect recipe could be a slice of Lilly James’ soulful rendition of “Mamma Mia,” a hint of Greece’s crystal blue waters, and a dollop of Cher.
“In the last year and a half, there has been so many negative things,” Bock said. “[Audiences] wanted to leave the theater with something to feel good about.”