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  • Brooklyn Flexing(02:00)
  • Havoc, a Brooklyn flexer, dances in East Williamsburg at dusk and talks about communicating through movement.
  • Date: July 23, 2015
  • Source: The New Yorker
  • Comma Queen: If Less Is More, Sometimes Fe...(02:20)
  • The rule is simple: use 'fewer' for items that can be counted, like beans, and 'less' for things that can’t. There are subtle exceptions, of course, b...
  • Date: July 16, 2015
  • Source: The New Yorker
  • Cartoon Lounge: Mini Golf(03:46)
  • This week, Bob Mankoff hits the links and looks at a few golfing cartoons from the pages of The New Yorker.
  • Date: July 07, 2015
  • Source: The New Yorker
  • Cartoon Lounge: Silence Is Golden(03:59)
  • Bob Mankoff looks at New Yorker cartoons that were influenced by silent films and tracks down his assistant, Colin.
  • Date: July 02, 2015
  • Source: The New Yorker
  • 'Ghost Train': Finding Love and New Life i...(14:34)
  • As eighty-four-year-old Geoffrey loses his lifelong love to dementia, he finds comfort and companionship at a macabre dinner cabaret called Dracula’s....
  • Date: June 30, 2015
  • Source: The New Yorker
  • Comma Queen: An Episode of Diaeresis(01:54)
  • A diaeresis is a diacritical mark in the form of two dots, like an umlaut, placed over a vowel to indicate that is pronounced as a separate syllable.
  • Date: June 24, 2015
  • Source: The New Yorker
  • Five Borough Freestyle: Android(01:42)
  • Martina 'Android' Heimann, a Harlem-based popper, freestyles to a summer sunrise on the Roosevelt Island Tram.
  • Date: June 24, 2015
  • Source: The New Yorker
  • 'Actor Seeks Role'(18:54)
  • This short film written and directed by Michael Tyburski and Ben Nabors features Alex Karpovsky playing an aspiring method actor who — without much lu...
  • Date: June 22, 2015
  • Source: The New Yorker
  • Cartoon Lounge: Apple Watch(02:18)
  • Bob Mankoff assesses the comedic value of the Apple Watch and explains why some submissions to the caption contest don't make the cut.
  • Date: June 19, 2015
  • Source: The New Yorker

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