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French filmmaker Resnais dies at 91

French director Alain Resnais (C) welcom
PARIS (AP) - Alain Resnais, the seminal French filmmaker whose cryptic "Last Year at Marianbad" extended its influence across generations, has died.

He was 91, and was editing drafts of his next project from his hospital bed, according to producer Jean-Louis Livi, who was working on the film with him.

Resnais, who died Saturday, was renowned for reinventing himself during each of his full-length films, which included the acclaimed "Hiroshima Mon Amour" in 1959 and most recently "Life of Riley" which was honored at the Berlin Film Festival just weeks ago.

"He was a man of the highest quality, a genius," Livi told France Info radio on Sunday, confirming Resnais' death with "enormous sadness, accompanied by enormous pride."

"Last Year at Marianbad" is his most influential work, mixing fragments of time and weirdness within a castle. The 1961 film is routinely cited among the highest works of French New Wave artistry, although Resnais' career extended well beyond that period. It has been cited by fans as varied as filmmaker David Lynch and the late Jackie Kennedy, who screened the movie at the White House.

"I'm a bit surprised to be so shocked by the death of someone who was 91. Usually we take this news with a kind of calm sadness," said Danis Podalydes, an actor and director who worked with Resnais. "But the intellectual youth of this man was so surprising."

Thierry Fremaux, head of the Cannes Film Festival, said Resnais' films tended to fly past the festival's judges, who were not always enamored of his work.

"He pushed the aesthetic and narrative experimentation very far, and then he completely renewed his style," Fremeux told French network LCI.

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mortkap March 02 2014 at 10:21 AM

I quit going to the movies after Marienbad. Grand Illusion and Bridge Over the River Kwai were my idea of great mlovies worth seing many times

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mrtoute68 March 02 2014 at 10:36 AM

Alain Resnais was alos a great lover of the comics: he was the vice-president of the French Club des Bandes Dessinees ("Comics Club"), of which I was the representative in the US and a contributor to the Club's bulletin, Giff-Wiff. When Alain visited New York in 1964 it was I who introduced him to the members of the National Cartoonists Society.
Just for the record, Maurice Horn, editor of The World Encyclopedia of Comics.

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